Elizabeth Hurley’s Bikini Is The Crap We Missed

Welcome to Tuesday’s The Crap We Missed featuring President Trump pretending he can read, Maitland Ward, who’s gone full Atlantic City hooker, Kendall Jenner’s normal-sized buttcheeks, and the love of my life up there, Elizabeth Hurley. She doesn’t know it, but we’re very happy together. *pets sock doll with her photo taped on the face* She loves my American disregard for my health and personal hygiene, but also thinks it’s adorable when I do my Austin Powers impression in bed. Like this one, “Should we shag now or shag later, yeah?” — And it doll actually spoke and said “later.” Wow, goddammit.

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Photo: AKM-GSI, Fame/Flynet, Getty, Instagram

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Mac DeMarco Is Goofy as Ever on “This Old Dog”

The passage of time is important to Mac DeMarco. The pratfalls never stop, and the Viceroy scent of willful self-destruction may always follow him, but a surprising number of the 26-year-old’s songs are about that “same old boy” “getting older,” and even just reminiscing. The synth-burnished acoustic pop of “This Old Dog,” the title track (and one of two new songs including “My Old Man”) from Mac’s upcoming LP, is in line with his continued worries about getting longer in the teeth. He evidently spent more time than usual on perfecting the songs for this album, demoing as he was preparing to make that West Coast move to Los Angeles all New Yorkers, native or not, think about. Don’t worry, parents and kids: Refining his craft doesn’t mean the goofball feeling has to change. That’s pretty close to the theme of “This Old Dog,” a shaggy ode to romantic constancy, come what may. The sentiment is a simple one, and while DeMarco is often aptly compared to Jonathan Richman, his crisply enunciated vocal here summons up vintage John Lennon. Y’know, Mac is 182 in dog years.

 

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PhotoSweeper X

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One of my projects for 2017 is to go through my 300+ GB of family photos and cull them. There are plenty of moments where I might snap five shots of the same thing, but I often fail to go back through to delete the bad ones. I mentioned this product on Twitter, and @katiefloyd recommended PhotoSweeper X:

PhotoSweeper is a tool to eliminate similar or duplicate photos even in photo collections. It works with photos from Apple Photos, iPhoto, Aperture and Adobe Lightroom libraries as well as photos from your hard drive.

I used the demo for about ten minutes before I knew this was the app for me. In just under 90 minutes, I went through ALL of my 2016 photos. It allows you to sort photos taken within a few minutes of each other, easily compare them, and delete the old ones.

You download it on The Mac App Store for $9.99, or you can download a free demo from the OverMacs website

Buy Now

http://toolsandtoys.net

Tomb Raider: Lord Croft Cast

Because there can’t be ENOUGH reboots, Tomb Raider the new version moves ever forward at MGM.  The interesting thing about this particular franchise revisit is the highly entertaining nature of the most recent game releases from Crystal Dynamics this new film will be based on.  We’re getting younger versions of characters we’ve known since 1996, and it actually sounds….good?

British actor Dominic West smiles on May 12, 2016 during a press conference for the film "Money Monster" at the 69th Cannes Film Festival in Cannes, southern France.  / AFP / ALBERTO PIZZOLI        (Photo credit should read ALBERTO PIZZOLI/AFP/Getty Images)
British actor Dominic West smiles on May 12, 2016 during a press conference for the film “Money Monster” at the 69th Cannes Film Festival in Cannes, southern France. / AFP / ALBERTO PIZZOLI (Photo credit should read ALBERTO PIZZOLI/AFP/Getty Images)

Variety has announced Dominic West (300, The Affair) will be playing Lord Richard Croft, Lara’s father. While we’re not sure if he’ll be the archaeologist he’s been in films/stories past, it’s safe to reason his presence will be an important part of the plot.  The role was previously played by Oscar winner John Voight alongside his real life daughter Angelina Jolie in 2001’s Lara Croft: Tomb Raider film.

Alicia Vikander will be Lara Croft
Alicia Vikander will be Lara Croft

Oscar winner Alicia Vikander will be playing the title role of Lady Lara Croft, the “Tomb Raider” who travels the world collecting artifacts and protecting mankind from dangerous underbelly of the antiquities trade.

Tomb Raider (yet untitled past that and it’s release year 2018) will follow the younger days of Lara Croft, reportedly based off the happenings of the 2013 “Tomb Raider” prequel game released by gamehouse Crystal Dynamics. It’s gameplay was closer to the “Watch Dogs” series, but brought a younger and less curvaceous style to Lara and her adventures.

The film will be directed by Roar Uthaug (The Wave), and is set to release March 16th, 2018.

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Shrieking in Silence: Can Anyone Hear?

bigstock--137612942You remember the chilling Kitty Genovese case? As Kitty hysterically shrieked for help — her voice echoing through the New York night, 38 neighbors ignored her hysterical pleas. The neighbors’ blurry thought process, “Well, maybe someone else will help” or “I am not able to assist her.” Collectively, there was a diffusion of responsibility.

“What does this have to do with mind happiness?” you wonder. Let me explain.

Mind happiness is a habit — one that demands your attention. Right now. As the whirring thoughts torment, we can lament our circumstances — beseeching others to help — or even save — us. But just like in Kitty’s case, others may not be physically or emotionally available.

Here’s the unequivocal truth: You have the power to help yourself.   

Let’s take exercise. Many Americans — myself included — are in a battle with our expanding bulge. Sure exercise can be more of a chore than mowing the lawn. But as I establish an exercise routine — and attempt to maintain my overly optimistic New Year’s resolution, I empower myself to eat healthier, meet with a personal trainer, and substitute football Saturdays for, you know, actually playing football on Saturdays. The theme: take action. Decisive action. Because when you wait for others, your pleas may go unheard.

Let’s apply this to mind health treatment. In my case, the OCD thoughts have lobbed verbal grenades since adolescence. My default response: the mental equivalent of a half-hearted shrug. If I just ignore the thoughts, I reason, they will go away. Or, maybe, I could try wishing away the anxiety inducing thoughts.

Hope may be a winning political strategy; unfortunately, it isn’t a winning mind health strategy.

A half-hearted shrug is the equivalent of acquiesce. And, sadly, I cannot wish — or will away — the tormenting thoughts. In fact, inaction tightened their stranglehold. Willful blindness is just that — willful and blindness.

But here’s what you — and I — can do. When the thoughts blitzkrieg your overwhelmed mind, you define them. Each and every time. That thought about harming a loved one? Nonsense. That disturbing sexual image? Throw it in the garbage — not the recycle — bin.

As I categorize each of these thoughts for what they are, their power — miraculously — dissipates. That vice grip loosens and, in its place, something resembling tranquility appears. Even more significantly, I have empowered myself. It is futile — and arguably counterproductive — to attempt to control your mind. As mental health consumers, we know this truism better than most.

But in defining the OCD thoughts, you strike an ideal balance between resistance and acceptance. As I have consciously committed to labeling the thoughts (“OK–that is a trick thought; I can move on”), the labeling process has become semi-automatic. And, thankfully, I am now averting those once automatic sinkholes.

When the agonizing thoughts strike, my instinctive reaction has been “retreat retreat retreat.” I slink into bed or frantically call a close confidante. These are passive–even avoidance — strategies. And, sadly, they exacerbate the already writhing anxiety.

Experience has taught — and humbled — me. As my mind shrieks, I know that I am the only one who can hear. Mind health wellness is more than a spectator sport; you cannot be a disengaged witness to your own mental well-being. Innocent bystander? Like Kitty’s neighbors, you are far more culpable than you know.

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Kanye to Debut Yeezy Season 5 at New York Fashion Week

Kanye to Debut Yeezy Season 5 at New York Fashion Week

Kanye West will debut his Yeezy Season 5 fashion collection during New York Fashion Week on February 15, Vogue reports. West has eschewed past venues like Madison Square Garden and Roosevelt Island in favor of the more traditional Pier 59 at Chelsea Piers. The show is scheduled to begin at 5 p.m.

Last year’s Yeezy Season 4 show, which was live streamed via Tidal from the Franklin D. Roosevelt Four Freedoms Park on Roosevelt Island, came under fire for delays and difficulties, which included one model fainting from standing in the heat. While Kanye did not debut new music during the Yeezy Season 4 show, he’s used his past fashion events as a platform to share songs he’s been working on. “Wolves” was first played at the Yeezy Season 1 launch in February 2015, and “Fade” was played at Yeezy Season 2 later in the year. Yeezy Season 3, of course, was the premiere of The Life of Pablo

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Seven New House & Techno Labels to Watch in 2017

Preview music from some of the most promising new imprints for 2017, including "fruity music" from Shanti Celeste, classic acid from a Warehouse Project resident and no-nonsense techno from a UK mainstay.
Maybe we don’t need another new label, but we sure do love it when a good one comes along. Here we take a look at seven of the most promising ones – some of which are on the eve of their first release, some of which hope to build on the success of catalogue numbers 001 and 002 – and speak to the men and women behind them about their hopes and dreams for the journey ahead.

PEACH DISCS

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“Fruity music for people who like to dance and feel happy.”
Shanti Celeste is a colourful, party-starting DJ and producer. Her productions range from slithering electro to smooth but pumping house jams and now, to appease her inner control freak, she has launched her own label to put out more of same. There is “no deep concept” to Peach Discs, instead it is fuelled by the same simple desire that keeps music lovers “spending hours and hours on Discogs looking for new music and trawling through endless labels finding gems, yet still feeling like we know nothing”.
[quote text="it takes time, and I’m a perfectionist."]
Releases will tend to come with labels featuring paintings done by Shanti herself, and in fact she drew the peach in the logo, while friend Graeme Bateman did the rest. Reporting that it has been “easier than I thought” to get the label off the ground, the immediate future will bring 12”s from new Bristol duo Fred, as well as one from Samuel who released on the BRSTL label Shanti has been co-running since 2011. Though nothing is certain, the Bristol-based boss also hopes to progress to putting out albums one day. “But it takes time, and I’m a perfectionist, so don’t really want to put a limit on that.“
The first EP is out soon and you can preview a playful broken beat number from it below.

I WALKED BY NIGHT

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“Passionately created, electronically composed music.”
Manchester-based Krysko knows a thing or two about dancefloor dynamics. A key resident for some of the city’s finest parties – from early Sankeys to modern day Warehouse Project – he can rock a main room or woo a smaller crowd with ease. Despite his DJ years being as successful as they have, to him they are “just a collection of great memories. There’s nothing really tangible there”. As such, it is a desire to leave more of a legacy that inspired this self-confessed hoarder to set up I Walked By Night.
“Starting the label was a way to put something out there, a way for people to get their hands on a record that I’ve helped release,” muses Krysko. “And so I can actually show something that I’ve done to my son in the future other than a shaky video, blurry picture or a SoundCloud mix.”
[quote text="I started the label so I can actually show something that I’ve done to my son in the future."]
After a slow start, things are now rolling thanks to the help and advice of artist manager Mark Potts. Currently looking to put out music that is “100% stuff I want in my own sets”, the label will evolve into wider sonic realms. “I don’t care if my releases sell 10 or 1,000. If I believe in the music, then that’s all that matters. Being honest, I’m not trying to do something different, just concentrate on the music to begin with. I think I’m of an age now where I don’t have a yearning to stand out, I would just like the label to be respected by my peers, stand up on its own amongst the many great labels and be excitedly discovered by new DJs and producers.”
After a versatile first EP from Tristan Grace that touched on acid and house classicism, next up is young Glasgow talent The Burrell Connection, with more from Neville Watson, plenty in the pipeline from Grace and “then maybe, maybe, I’ll get my arse into gear to do something myself”.

USER EXPERIENCE

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“Techno.”
Joe Farr makes techno. All kinds of techno. “I admire those who can really hone one particular style, but I can’t work that way, I really thrive on trying out stuff and letting go.” That MO will inform his new label, User Experience, which is about “identity and finding a place in the world”.
His own musical identity has evolved a lot in ten years, and in those years the producer admits he has not been good at facing up to problems. “I see the artwork as a reflection of that – the faces are gazing, deep in thought and quite troubled.” Also recognising that the world doesn’t need another label, he simply hopes to progress himself and his music in a meaningful way that makes him proud. It is also a way of bypassing frustrating delays that come with working with other labels.
[quote text="It’s about consistency and focus. I want all my material to be in one place and to maintain a consistent schedule with full control."]
“It’s about consistency and focus. I want all my material to be in one place and to maintain a consistent schedule with full control.” To that end, Farr decisively outlines the plans for User Experience: five releases this year and three next, all of which will be two- or three-track EPs and will come with full artwork painted by Lee Ellis and printed to t-shirts that will soon be available on Bandcamp. “I wouldn’t discount doing an album or taking on new artists and expanding the operation in the second half of 2018.”

UNDERLYING FORM

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“Conceptual, deep and minimal techno aimed towards discerning dance floors.”
Darren Allen is a strict do-it-yourself man. The Irishman has been making music for years – as well as running Underlying Form, the nerdy Facebook record group and connoisseur party of the same name – but never put anything out. Keen to do something with his “substantial body of work”, he decided that rather than hawk it around to others, he would set up on his own from day one.
“The first release was an experiment,” he says. “I didn’t know anything about distribution and all the added expenses but, generally, after accepting delays from the pressing plant it has been a smooth ride. The most challenging part has been finding a balance between marketing and promotion. I do not like to see labels turn their art into a consumable product to be forced down people’s throat.”
[quote text="The first release was an experiment. I didn’t know anything about distribution and all the added expenses."]
Now based in Berlin, Darren wants the releases to reflect his reality and philosophy and to “challenge people’s rigid expectations of how electronic music should sound”. The label will always focus on deep, weird and trippy electronic sounds and benefits somewhat from the fact that Underlying Form was already a known name in tight-knit underground circles. Not strictly limited to Darren’s own work, remixes and collabs are on the horizon for 2017, but expensive art and design is not, as he instead prefers to keep the cost of the music – the most important part of all this – down to a minimum.
“I probably surprised [people] with the bold approach and style of the first release,” he says. “Just the way I like it.”

PALINOIA

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“An open-ended, diverse selection of music from the lesser or unknown names.”
American Eric Cloutier is one of the most acclaimed diggers in dance. For many years it was all he did, but boy did he do it well. It makes sense, then, that he is now refocussing his endless quest for musical freshness into his own label project. It will occasionally put out his own deep and compelling cuts, but mainly those from unknown names, be they of an ambient, house, techno or downtempo bent.
“There’s always been this approach from labels that they seem to want to push out the easy sellers without challenging DJs to listen to someone they’ve never heard of,” says Eric. “But I want to get people to think outside of the box and check out this artist I’ve found who only has 1,000 followers on SoundCloud.”
[quote text="I want to get people to think outside of the box and check out this artist I’ve found who only has 1,000 followers on SoundCloud"]
Saying he feels that in the last couple of years it has always been the same 100 names on every label over and over again, Cloutier wants to remove the safety net and head off into uncharted territory, in vinyl and potentially digital format. “The EPs I hope to have out this year are from Orbe, Andu Simion, Exercise One, and Gabriella Vergilov,” as well as another from himself and eventually, maybe, one of his own albums.
“Palinoia has been a labour of love, that’s for sure, but it hasn’t been more trying than any other adventure I’ve embarked upon. I’m quite pleased with all the next releases and just hope other people enjoy the selections I’ve made.”

XII SERIES

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“12 tracks over the space of a year.”
After working with Hypercolour, Aus Music and Drumcode, Tom Demac has taken a year off and now comes back with his own concept label. “I felt it was time for a new project which I can be in total creative control of,” he says, before explaining he expects each track to be a little more refined than his own previous efforts.
[quote text="I felt it was time for a new project which I can be in total creative control of."]
“I feel I’ve learnt a lot over the last 18 months after spending time producing for bands and songwriters, so let’s see if it comes to the fore in my music over the course of the year.”
Though only scheduled for 12 releases, the label – which features photography and design created by his girlfriend – may continue into 2018, provided people haven’t “had enough of Tom Demac’s music by then”.

DIVERGENT

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“Not a specific sound but a quality one.”
Media Records was a 90s powerhouse that oversaw the running of many other equally important labels in the Italian underground scene. Launching US house to the local and international market, it was a go-to outlet for those keen to snap up the freshest beats around. And now it is back, as are many of its subsidiaries, including Divergent, headed up by Belgian artist Bimas.
“Things change every day in this business, but from time to time a window opens, allowing you to jump in,” says Media president Gianfranco Bortolotti. “The goal of it is to relaunch a new roster of labels, DJs and artists, alongside a management company. Plus we are also developing FirstPlanet, a new and exciting, intelligent digital platform that should give us a competitive global advantage.”
[quote text="the recording side of the business is still the part that gives DJs and artists the ability to sustain a career."]
This comes 15 years after the label first folded and sold its catalogue to Warner Music, and now has the added contemporary vision of Truesoul and Desolat artist Bimas. “For the moment we will release quality products with no specific sound,” he says, “though my eyes are always focussed on my favourite genre – techno, and all its variations.”
Recognising many things have changed in the business over the last 15 years, Gianfranco also says that “the recording side of the business is still the part that gives DJs and artists the ability to sustain a career” and hopes Media and its sister labels can once again showcase new trends and movements. Bimas’s own music will be the spine of the catalogue, but the aim is also to develop and nurture new talents.
“Nothing is easy at the present time,” says Gianfranco. “A-list DJs now hold onto their positions at the top of the game for longer, and management help reinforce these powerful positions. There is saturation within the digital distribution landscape, so things like this always create new problems to solve, but we are confident we can do so.”
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Aquaman: Black Manta Cast!

Aquaman is one of the most anticipated films from the Warner Brothers DCCU (DC Comics Universe), edging out Wonder Woman just barely.  Already ahead of the game with casting Jason Momoa (Conan reboot, Game of Thrones) as the King of Atlantis, hopes remain high this could be a really good film.

Yahya Abdul-Matten II
Yahya Abdul-Matten II

Variety just broke the news that Aquaman villain Black Manta has been cast for the movie, and Yahya Abdul-Matten II (The Get Down, upcoming Baywatch film) is our guy.  Warner Brothers still hasn’t commented on the casting, but it sure seems like a done deal.

Warner Brothers said of the Aquaman film last year:   “the title character would be caught between a surface world constantly ravaging the sea and the undersea Atlanteans, who are ready to lash out in revolt. Aquaman is based on the DC Comics character who’s the king of Atlantis, a half-human and half-Atlantean named Arthur Curry.”

The Aquaman character was first introduced in 1940’s, and has remained a much beloved part of the Justice League in DC Comics titles and beyond.  Black Manta first appeared in Aquaman #35 in 1967, and is one of the most enduring villains for Arthur Curry.

Previously announced Aquaman casting includes Amber Heard (Zombieland, Drive Angry) as Mera Aquaman’s wife, Patrick Wilson (Watchmen) as Orm, and Willem Dafoe (really pick anything) as Nuidis Vulko.  The film will be directed by James Wan (Saw, Insidious).

Aquaman is due to hit theaters on October 5th, 2018.

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